Christopher Burke’s fiction has appeared in Nightscript, The Yellow Booke, and on The NoSleep Podcast. He is a regular contributor at weirdfictionreview.com, and other nonfiction is available in Thinking Horror, Vol. 2. Christopher grew up in Kentucky and now lives in Rhode Island with his fiancée, Cassandra. More information can be found at www.christopherburkewords.com.
Fiona Maeve Geist resides in WXXT country with her cat and many partners. She has written academic work in Trans Studies Quarterly, along with work on neglected women in genre fiction for Lamplight Quarterly. She also has contributed to MOTHERSHIP: a Science Horror RPG along with other projects under wraps. She also has several pieces of fiction forthcoming. She edited Larissa Glasser’s debut novella "F4" along with several pieces of short fiction and would like someone to try to break that 100% placement streak. Finally, she is an occasional contributor to CLASH Media.
Livia Llewellyn is a writer of dark fantasy, horror, and erotica, whose short fiction has appeared in over forty anthologies and magazines and has been reprinted in multiple best-of anthologies, including Ellen Datlow’s The Best Horror of the Year series, Years Best Weird Fiction, and The Mammoth Book of Best Erotica. Her first collection, Engines of Desire: Tales of Love & Other Horrors (2011, Lethe Press), received two Shirley Jackson Award nominations, for Best Collection, and for Best Novelette (for "Omphalos").
Christian Matzke is a prop builder and filmmaker from Maine (just south of the Chesuncook Shoggoth Pit). He founded the website Propping Up the Mythos in the mid-Nineties after a high fever compelled him to sculpt his first Cthulhu statue. "Nyarlathotep" was his first short film, and has been followed by ten more in the years since. Christian is married to special FX artist Sarah Matzke, and together they are raising two young cultists in their 17th century haunted house near the ocean. Christian is hard at work writing the Necronomicon through his site patreon.com/Proppingupthemythos
Formed in 2014 NECRONOMIDOL are the dark heroines of Japan's independent idol world. Playing songs in such diverse genres as darkwave, black metal and NWOBHM and featuring strong influence from the author H. P. Lovecraft's Cthulhu Mythos, NECRONOMIDOL boasts legions of devoted fans around the world. Based in Tokyo but playing shows in Taiwan, Thailand, New Caledonia, England, Italy, France and the US, NECRONOMIDOL plans to further their quest of world domination in the name of the Great Old Ones to even more far-flung corners of the globe in 2018!
Raised in the dark, forbidden woods of Cumberland, Maine, Daniel Ellis Harrod has been a published writer and musician in the realms of horror fiction and hardcore heavy metal since 1987. Receiving a degree in Norse and Asiatic Ethnic Religion from Maine College of Art in 1996, Daniel’s career spawned a starring role in 2001’s “H.P. Lovecraft’s Nyarlathotep” as well as lyricist for the seminal Seattle Doom Metal outfit Blood of the Black Owl on three of their most crushing albums. He continues to work as a writer, lyricist, Outsider artist and Avant Garde musician along the East Coast.
Ben Wickey is a Massachusetts-born filmmaker and illustrator, as well as a recent graduate from the California Institute of the Arts. He is the animation director for GOREY, an upcoming documentary about the last days of author/Illustrator Edward Gorey, as well as the illustrator of Ki Longfellow's The Illustrated Vivian Stanshall, a book about the life and times of Britain's most celebrated and eccentric comic musicians. Wickey is 23 years old, and lives in Rockport, Massachusetts.
We are extremely pleased to introduce our Guest of Honor for 2018!
Kieran Thompson is a director and producer from Tempe, Arizona who strives to bring out the heart in every story. Discover more at kieranthompson.com
Darin Coelho Spring lives in the foothills of the Sierra Nevada Mountains in Northern California with his wife and two daughters. He is a bookseller with a passion for imaginative literature and an active presence in the local arts community. In his spare time over the last ten years, he has created several of what he terms “epic home movies” but his documentary on Clark Ashton Smith is his first film intended for a wider audience. It is nearly four years in the making.