Live Q&A with filmmakers in Shorts Block 4.
All streams remain available until Monday 10/5 at 6 pm. All live events are recorded and can be watched later if you miss the live broadcast.
Q&A with the filmmakers who competed in the 72 Hour Film Contest!
Live events are recorded, you can watch them later if you miss the live broadcast. All streams stay available until Monday 10/5 at 6 pm.
Q&A with the filmmakers in Shorts Block 6.
Live events are recorded, you can watch them later if you miss the live broadcast. All streams are available until Monday 10/5 at 6 pm.
Live filmmaker Q&A with the Director and cast and crew.
Live events are recorded, you can watch them later if you miss the live broadcast. All streams remain available until Monday 10/5 at 6 pm.
For sixty years Herbert West lingered as a minor character in a minor story overshadowed by Lovecraft's more cosmic creations. That all changed in 1985 with the release of Stuart Gordon's Re-Animator. Since then Herbert West has become an icon comparable to Freddy Kruger, Michael Meyers, and Jason Voorhees spawning competing films, comic books, novels, short stories, and even a pitch for a TV series. What are the origins of this iconic character and how has he been fantastically and macabrely transformed over the years.
From cave paintings to Clive Barker, Gilgamesh to Octavia Butler, humans have always told stories to explain the inexplicable. This panel examines how humans describe the mind-blowing experience of confronting beings and forces that put us in our place as specks of dust in the darkness. Panelists bring the varied perspectives of fandom, authors in the field, traditional monotheism, and some academic occultism as we wrestle with angels and other embodiments of order and chaos.
The mythos was always a shared universe, but shared to a very exclusive set of authors, namely white men. People of color were cast as the villains in these narratives, blamed for all the ills troubling mankind (if they were given a part in the story at all). Women were absent from these early stories, unless of course, they too were cast as villains. Invisible were the faces of our LGBTQ community in this tapestry of horror. How did outsider creators fall in love with something that casts them in such a negative fashion, and why do they (we) feel it's important to change its direction?
The four composers who comprise ,"Out of the Aeons "'Will Severin, Reber Clark, Troy Sterling Niece and myself will once again form the multi-headed Hydra and offer up our hands on experiences in discussing what the expectations are in delivering a truly haunting and Powerful musical score for a lovecraftian film. Because the genre relies so strongly on mood and Atmosphere, music is such a key element in making or breaking it successful hpl inspired bit of cosmic horror Cinema.
Lovecraft Country has hit a nerve with millions of viewers, and there has been a good deal of press coverage on contemporary responses to Lovecraft’s racism, as expressed in his letters and his published work. Why should we continue to read the work of a man whose personal views are so repugnant? Can “Lovecraftian” fiction teach us how to deal with the “Other”?
GM Ariel Celeste has some death to mete out to our intrepid players, Adam Scott Glancy, Andrew Migliore, Ken Hite, Andrew Leman, and Sean Branney! Will any of them survive? It will be up to YOU to decide!
The Scenario: After a young man with superhuman strength goes on a multi-state crime spree, DG agents are sent to his small hometown to investigate. There they find strange lights in the sky, oddly behaving townsfolk, and unexplained disappearances. Just another Night at the Opera in this classic Delta Green scenario.