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Author reading with Garrett Cook, Amanda Downum, and Chris McMillan

in the classroom.

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Ross E. Lockhart presents a scene writing workshop based on prompts from H. P. Lovecraft’s Commonplace Book.

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Hosts Derek M. Koch, Chris McMillan, and Dominique Lamssies interview and discuss The Haunted Palace, and what could have been in terms of more Lovecraft films with Roger Corman and Victoria Price.

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Panel discussion with Garrett Cook (moderator), Cody Goodfellow, Evan J. Peterson, Anya Martin, Sarah Walker

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Panel Discussion with Andrew Migliore (moderator), Scott Connors, Robert Lloyd Parry, Richard Stanley

Lovecraft cites James as a great weird writer in several of his letters. What relationship does this master of the ghostly tale have to Lovecraft's brand of cosmic horror and the Weird?

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Panel discussion with Gordon White (moderator), Anya Martin, Brookelynne Warra, Evan J. Peterson, Michael Griffin, Sam Cowan

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Author Reading with Adam Bolivar, Ashley Dioses, K A Opperman, D L Myers

in the Classroom

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Join us as we fondly remember our colleague, inspiration, and beloved friend Wilum H. Pugmire. Tihs is open to all. Anyone who wishes to say a few words, share a fond memory, or read a favorite passage from Wilum's works will have an opportunity to do so.

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Panel discussion with K A Opperman, Ashley Dioses, Adam Bolivar, D L Myers, S.T. Joshi

There has been much discussion about the renaissance of Weird poetry in recent years. But what of its future? How will rapidly changing media affect an art form which has endured since the dawn of history? Could an AI convincingly compose traditional forms of metered and rhymed poetry? Will there be ballads about Martian pioneers? Weird poets will dig into this topic and muse on the future of speculative versification.

in the classroom.

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French actor, surrealist, poet and theatre theorist Antonin Artaud (1896-1948) was plagued throughout his life with mental illness, an addiction to opium and passion for theatrical performance. In his most famous work, The Theatre and Its Double he defines Theatre of Cruelty as a means of unleashing repressed feelings from the audience’s subconscious and the arduous, artistic process in transferring forms of distress—which the artist need experience first.

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