Monster Kid Radio LIVE: The Haunted Palace and the Corman Lovecraft Cycle

Type: 
Live Event
Location: 
EOD Center
Date and time: 
Saturday, October 5, 2019 -
12:00pm to 1:15pm

Hosts Derek M. Koch, Chris McMillan, and Dominique Lamssies interview and discuss The Haunted Palace, and what could have been in terms of more Lovecraft films with Roger Corman and Victoria Price.

Vincent Price has long been a beloved actor in the horror genre, and starred in several very Lovecraftian films, including Roger Corman's The Haunted Palace(based on HPL's The Case of Charles Dexter Ward), Diary of a Madman (based on Guy De Maupassant's "The Horla"), and even portrayed the sorcerer John Carnby in Night Gallery's adaptation of Clark Ashton Smith's "The Return of The Sorcerer." This year, we welcome his daughter Victoria Price as our guest of honor. Victoria is an award-winning author and speaker in her own right; in additon to penning The Way of Being Lost: A Road Trip to My Truest Self and Vincent Price: A Daughter's Biography, she is also an acclaimed inspirational speaker and interfaith minister. She'll be joining us to speak about growing up with the legendary Vincent Price, as we feature some of his more Lovecraftian cinematic works.

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With hundreds of movies to his credit, Roger Corman is one of the most prolific producers in the history of the film medium and one of the most successful. Corman has been dubbed, among other things, "The King of the Cult Film" and "The Pope of Pop Cinema" and his filmography is packed with hundreds of remarkably entertaining films in addition to dozens of genuine cult classics. Corman has displayed an unrivaled eye for talent over the years and his influence on modern American cinema is almost incalculable. Born April 5, 1926, in Detroit, Michigan. Corman studied engineering at Stanford University but while in school, he began to lose interest in the profession and developed a growing passion for film. After a term spent studying modern English literature at England's Oxford University and a year spent bopping around Europe, Corman returned to the US, intent on becoming a screenwriter/producer. He sold his first script in 1953, "The House in the Sea," which was eventually filmed and released as Highway Dragnet (1954).

Horrified by the disconnect between his vision for the project and the film that eventually emerged, Corman took his salary from the picture, scraped together a little capital and set himself up as a producer, turning out Monster from the Ocean Floor (1954). Corman leveraged his next picture, The Fast and the Furious (1954), into a multi-picture deal with a fledgling company called American Releasing Corp. (ARC). It would soon change its name to American-International Pictures (AIP) and with Corman as its major talent behind the camera, would become one of the most successful independent studios in cinema history. With no formal training, Corman first took to the director's chair with Five Guns West (1955) and over the next 15 years directed 53 films, mostly for AIP. He proved himself a master of quick, inexpensive productions, turning out several movies as director and/or producer in each of those years--nine movies in 1957, and nine again in 1958. His personal speed record was set with The Little Shop of Horrors (1960), which he shot in two days and a night.

During the 1960s Corman directed eight lavish gothic horror films based on the stories of including House of Usher (1960), The Pit and the Pendulum (1961), The Raven (1963), The Haunted Palace (1963), and The Masque of the Red Death (1964). All but one of the Poe films starred Vincent Price, and these films featured such other established actors as Boris Karloff, Ray Milland, and Peter Lorre.

In 1970 Corman left AIP and formed New World Pictures, an independent company that produced and distributed the work of such young artists as John Sayles, Martin Scorsese, Joe Dante, Jonathan Demme, and James Cameron.

An occasional actor, Corman typically appeared in the films of those whose careers he had helped. He had minor roles in Coppola’s The Godfather: Part II (1974) and in such Demme films as Philadelphia (1993), The Manchurian Candidate (2004), and Rachel Getting Married (2008). Other notable films included Apollo 13 (1995). Corman cowrote (with Jim Jerome) an autobiography, the aptly titled How I Made a Hundred Movies in Hollywood and Never Lost a Dime (1971). In 2009 he was given an honorary Academy Award for lifetime achievement. Two years later he was the subject of the documentary Corman’s World: Exploits of a Hollywood Rebel.

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Some say Derek M. Koch was born 30 years too late. Some say he spends too much time watching classic monster and science fiction movie trailers on YouTube. And some just want him to take off his luchador mask and stop talking about fighting monsters. Since 2013, Derek has been producing Monster Kid Radio, the weekly podcast devoted to the classic, and sometimes not-so-classic, genre cinema of yesteryear. After nearly 400 episodes, Derek has interviewed classic monster icons like Julie Adams and scions like Victoria Price and Sara Karloff, horror hosts like Dr. Gangrene, and indie filmmakers like Christopher R. Mihm. Derek loves his classic monster movies so much that in 2016, he launched MonsterKidWriter.com as his home for all his writing in the classic and retro monster vein. As far as he's concerned, vampires, aliens, mutants, mad scientists, and monsters of all kinds all look better in black and white. (Unless it's a color movie is by Hammer Films . . . or American International . . . or Toho . . . or Universal . . . or . . . )

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Dominique Lamssies is obsessed with Batman, dead people and The King In Yellow (in that order). She was born and raised in Portland, Oregon, but has traveled throughout the United States, including stints in New Orleans and Boston, where she spent a lot of time roaming cemeteries. She has also lived abroad in places such as Ukraine and Japan, where she developed a deep and abiding love for Japanese ghosts and monsters. She strives constantly to have every story she writes involve some form of dead person and sound like it was written a hundred years ago. Her work has been featured in The Horror Zine, Non Binary Review, and Women in Horror Annual. She hopes to someday write a story worthy of having Peter Cushing star in the movie version, were he still with us. She hopes Sir Christopher Lee blesses and keeps all of you.

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After watching Invaders from Mars at the age of three, Chris has been a lifelong horror/scifi/fantasy fan. In 2010, he started The Shadow Over Portland, a blog with reviews, opinion pieces and news concerning events in the Pacific Northwest. He's appeared at Wonder Northwest, the Living Dead Horror Convention and past H.P. Lovecraft Film Festivals, as been a frequent guest on the Monster Kid Radio podcast. Currently, he continues writing on his blog and is expanding into fiction writing.

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